The 43" Apollo Orb was designed with a deep profile. This design gives your light the room to evenly disperse as it is projected toward your subject.
The Apollo Orb's circular design simulates the appearance of the sun in your subject's eyes, allowing for pristine portraiture without distracting reflections.
With flexible framework and instant umbrella-style setup, these modifiers are designed for busy photographers. Each Apollo and Halo softbox packs up quickly and can be thrown into any gear bag for effortless travel and storage.
Do you shoot with both types of off-camera flash? Thanks to the Apollo and Halo’s versatile umbrella shaft, these modifiers can be instantly paired with both speedlites and strobes. With these softboxes, you won’t be confined to using a single lighting style or forced into buying various modifiers.
Unlike most softboxes, these modifiers are constructed with an umbrella-style frame. Not only does this allow for the instant assembly, but it also allows for quick strobe mounting without bulky speedrings or adapters.
Since their introduction in 1985, these umbrella-style softboxes have been enhanced based upon consumer requests. The latest Apollo design features a recessed edge, flexible fiberglass frame, and removable outer diffusion panel.
Our diffusion panels are constructed with a premium, all-natural unbleached nylon fabric. Unlike processed diffusion fabrics, these diffusers will soften your light source without altering its color temperature.
By directing your light source toward the Apollo’s included diffusion front, you’ll create drastic highlights with a subtle hot spot. By directing your unit towards the back of Apollo, you’ll create an even spread of light with softer shadows. You can even pick up an optional 40-degree Egg Crate Grid for more light control options.
Apollo softboxes are manufactured with a highly-reflective silver interior for optimized light output.
Grids are made up of cells that control off-axis light in 4 directions while still maintaining the soft quality you want from a large light source. By focusing light through a grid, you eliminate both light spill and lens flare simultaneously for precise illumination.
By allowing you to perfectly focus your light source on a defined area, grids are the essential accessory for your hair light or rim light. When modified with a grid and softbox, your light can illuminate your subject from behind without light spilling onto your backdrop to gain stunning dimension and depth in your portraiture.
A 40-degree grid is the most popular choice for photographers and filmmakers, allowing for precise light control with limited loss of light. Light loss at the center axis is minimal, even at a distance 3 to 4 times the diagonal of the softbox. This typically results in losing less than 1/4-stop.
Our 40-degree Grids easily attach to the front of your softbox with ultra-durable Velcro™ material Apollo softboxes are designed with a recessed edge, giving you the ability to use your diffusion panel and 40-degree grid simultaneously.
These soft, compact grids collapse down instantly for streamlined travel and storage in their included bag.
Shooting with strobes or monolights? Most studio lights include a built-in umbrella receptacle for instant mounting.
Shooting with speedlites? There are a variety of mounting brackets available with adjustable and tiltable options for precise positioning.
I was very pleased with the quick delivery, quality and price of the 43" Orb and grid. Set up is simple. The fact that the light stand goes through the umbrella seems strange at first, since you have to move the cover to change the light settings or tilt the Orb, but it works wonderfully. The quality of light is excellent.
So happy with the price and quality of this product - gorgeous light quality with the large size/depth, and quick easy setup so no time wasted on set! Many thanks!
I jumped on this product for it's tremendous value. Most softboxes with a grid cost well over $200, so this really is a tremendous deal. The set up time is quick for the softbox, but putting the grid on takes a little time. I'm not crazy that you can't really tilt the softbox down much, since the light stand goes through the umbrella. This softbox would really require a boom stand for more control. Otherwise you're shooting everything on a light stand pretty much straight on. Still though, can't beat the price.
“The Apollo really is an awesome modifier and a staple in my lighting kit, both for speedlights and bigger strobes. The biggest advantage is its portability. I shoot mainly on location and to be able to produce this quality of light from such a small package is wonderful. They produce a very soft and even light that I hadn’t seen before when using speedlights. That coupled with the added control of a softbox and the recessed front does wonders for eliminating spilled light allowing you to only light what you want. ”
Erik Valind, Top Pro Photographer
“In the field and in the studio, I love working with the Westcott Apollo. I pop my speedlite into the Apollo, and immediately have wireless softbox strobe capability. How cool is that! ”
Rick Sammon, Top Pro Elite Photographer
“We have used our fair share of cheap and flimsy light modifiers, but the Apollo felt strong and durable while still remaining lightweight. The frame is very sturdy and the soft box material is thick and of great quality.”
Sarah Nickerson, Canada Photo Convention Blog
“I use them on a majority of my shoots because I like the quality, control and ease of setup with them. I cherish them because they work with both my studio strobes as well as all my speedlights for my location work. And I absolutely LOVE them because unlike traditional softboxes that require speedrings, the Apollo opens and closes just like an umbrella.”
Sid Ceasar, Sid Ceasar Photography
“I can put one, or three speedlights in here to work indoors or outside. I love how it folds like an umbrella and travels with my light-stands perfectly.”
Justin van Leeuwen, Top Pro Photographer
“It's a great softbox. Well made. Very inexpensive. Two thumbs way up!”
Scott, Weekly Photo Tips Blog